Today marks the 4 of 8 sessions of copying Caravaggio’s painting. It’s an important day because today is the day to prepare the painting for following 4 sessions. If any major change or decision needs to be made, today is the day.
Step 1 – I began the painting session by adding another layer of paint on the background, adding a good quantity of paint over the initial thin paint layer.
Step 2 – Position of all five hands were repositioned. This was one of the major decision that I had to make today. I liked the size of all the heads, but all five hands had to be adjusted very slightly so they all look good.
Step 3 – The majority of today’s session at the Metropolitan Museum of Art was spent on Peter’s head, and painting his wardrobe. I know I have to dedicate at least one session just on Peter, so this would be a preparation step for another day. I am hoping I would be able to get to him on week 7.
Step 4 – The remaining time today was spent on the woman’s face, focusing on colors under shaded areas. I might be able to get at this by glazing, but I decided stick to the direct painting method for now. Some likeness from the original was lost today, but I ran out of time.
In conclusion, all major tasks for today was completed as planned.
- Met Copyist Program – Week 1
- Copying Caravaggio – Week 2
- Painting at the Metropolitan Museum – Week 3
- Mastercopy: Michelangelo Merisi da Caravaggio – Week 4
- The Met: Gallery 601 – Week 5
- Painting the soldier’s helmet – Week 6
- Mastercopying Caravaggio at the Met – Week 7
- The Denial of Saint Peter: Woman, Life, Freedom – Week 8
- A Master Copy – Diego Velázquez- Done for now
- The Denial of Saint Peter (La Negazione di Pietro) is a painting finished around 1610 – Read More From Wikipedia