After a long debate about how to approach copying Caravaggio’s painting at the Met, I decided to paint the way that makes the most sense to me. There are online videos and documentation on how Caravaggio might have painted, but they don’t seem all that reliable. During the week, I practiced painting techniques that I would use to execute the copy by painting live models. Here is a sample:
This was a special week for painting at the Met because I had my friends and family visiting me. Luckily, my visitors all arrived after I got around to paint for two hours. My main goal for this week’s session was to complete the entire drawing by blocking in some major areas and to introduce color to set the base layer.
Because I am not looking at the painting from an angle, measuring exact proportion has been an issue. I think that’s okay, though—I don’t have to copy the painting exactly. I ended at a pretty good stop point at the end of the session.
- Met Copyist Program – Week 1
- Copying Caravaggio – Week 2
- Painting at the Metropolitan Museum – Week 3
- Mastercopy: Michelangelo Merisi da Caravaggio – Week 4
- The Met: Gallery 601 – Week 5
- Painting the soldier’s helmet – Week 6
- Mastercopying Caravaggio at the Met – Week 7
- The Denial of Saint Peter: Woman, Life, Freedom – Week 8
- A Master Copy – Diego Velázquez- Done for now
- The Denial of Saint Peter (La Negazione di Pietro) is a painting finished around 1610 – Read More From Wikipedia